It should also be noted that nothing Canon has done in terms of firmware updates has cured the R5 or the R6 of hitting thermal protection. Means I can not trigger internal recording but you will also notice no thermal protection timer is displayed.To get the most out of the R5 and the R6 you should never trigger from the Camera.How are you triggering the Atomos to record? Again I can assume 60FPS - See my comment on Resolution.This is the most demanding mode for the R6 and will cause the camera to hit thermal protection the fastest. I can assume you were shooting 4K 60 because you complain that the R does not have this.
I simply put the camera on the ventilator every 30min or so, unless I shoot a 2h interview (just once so far) which I entirely shot in crop mode.Ĭlick to expand.Going to need a little more detail: I do the same thing even when shooting using the Ninja. I have it turned on 10m away lying on a table and as soon as I stop shooting for a moment, even 30sec, I put the camera on top of it without removing or opening anything. 4K30 fine overheats and my favorite 8k30p overheats. I put a star because it gives me always 29.95 time recording and since I use a ventilator (described below), I never saw that overheat sign, so I am not sure if it overheats or not. On the R5, 4K regular and crop modes don't overheat.
The Ninja itself overheat and needs a battery and its hdmi port gets loose when hot. I bought a Ninja because I thought it would be giving me a better chance, but having one more device to worry about pushed me to give up. I mainly use the 8K, unless I need 60fps, 120fps or crop mode. That could guide you in studying your R6. But ATOMOS has a point here: “filmmakers understand that such a large image not only provides a method of future-proofing their work, but also creates a range of flexible options in post for HD and 4K films.Overheat on these cameras is a difficult topic because it depends on how you use your gear. Estelle McGechie, CEO, AtomosĪTOMOS now offers Apple ProRes RAW recording for over 30 cameras, which according to ATOMOS “further cements its position as a leading standard across the industry”. We’re excited to discover how they will find new opportunities with these tools to create even more incredible films. The combination of the new Canon EOS R5 C and the Atomos Ninja V+ to record 8K ProRes RAW represents the kind of innovation we know our customers are looking for. Our partnership with Canon has produced a remarkable advance in what we consider possible with small form factors cameras. The technology is also compatible with the AtomX SYNC module for the NINJA V / V+, which means it can be wirelessly synchronised to a range of devices. It can be used in combination with the ATOMOS UltraSync One, for example. The built-in LTC input on the EOS R5 C means it is very well suited for multi-camera productions. The NINJA V (and of course the V+) offer support for 6K at up to 30fps and 3K at up to 60fps. In addition to 8K at 30fps, the NINJA V+ offers support for 6K at 50fps and 60fps. Hot on the heels of Canon’s latest addition to their Cinema EOS line, the Canon EOS R5 C ( news article here | review here), ATOMOS just announced a new firmware release for their popular Ninja V and V+ monitors/recorders.īoth models (the Ninja V came out in 2018!) will support recording various RAW formats served via the EOS R5 C HDMI terminal. Of course this includes recording of Apple ProRes RAW 8K at 30fps with the NINJA V+. keyboard_arrow_rightCameras of the YearĪTOMOS has just announced that the NINJA V and NINJA V+ will support for a broad choice of RAW formats from the new Canon EOS R5 C camera.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.
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